My art practice is an investigation into topics ranging from borders and boundaries, sexuality, gender, mortality, impermanence, to human relations. When something interests or unsettles me, I want to consider it, meditate on it, and understand it more deeply. Process is integral to my work. With each series, I search for an artistic approach or method that offers the most effective entry point for my inquiry. Narrative is a constant thread, connecting my personal experience of difference to larger political and cultural conditions.

While photography is the foundation of my practice, I approach it as a point of departure rather than a limitation. I work across digital and analog modes, incorporate drawing, experiment with historical processes such as cyanotype and tintype, and extend these explorations into bookmaking. These methods are not discrete but often overlap—layered, combined, and reconfigured—so that form and process mirror the complexity of the questions I pursue. In this way, each project generates its own visual language, shaped as much by experimentation as by concept.